The Minories

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The Minories Galleries houses a contemporary art gallery run by Colchester School of Art. The site is also home to a shop selling some of the best art and crafts to be found across the region, has meeting rooms for hire, and can also cater for weddings and other events. A listed Georgian building, The Minories is of local importance within the historic town of Colchester.

The Victor Batte-Lay Foundation, over the years assisted by the ‘Friends of The Minories’ support group, have ensured the building be used to present art for the community of Colchester and visitors to the town. This has continued and now ensures the Colchester School of Art provides contemporary art and design in one of Colchester’s most distinctive buildings.

As well as the public gallery and shop, there is also the Batte-Lay Tea Rooms (run by Tiptree) and a wonderful walled garden that is looked after by The Friends of The Minories. The Minories is next door to Firstsite, Colchester’s new contemporary art space, in the centre of the town’s cultural quarter.

The Galleries are open Monday – Saturday 10.00am – 5.00pm. Entry is Free.

74 High Street, CO1 1UE Colchester, United Kingdom

Tel: (01206) 712437

E-mail: the.minories@colchester.ac.uk

The Garden, and some areas of the main Minories building are available for private hire, for business meetings, conferences or training sessions. The Gardens and Building are also a wonderful setting for wedding receptions, private parties and other celebrations. Contact us for more information.

Hire The Minories 

  • Weddings
  • Exhibition Hire
  • Private hire (parties and celebrations)
  • Business meetings
  • Conferences
  • Training sessions
Feb
11
Sat
2017
Approaching the Remote – Simon Carter @ The Minories Galleries
Feb 11 @ 10:00 AM – Apr 8 @ 5:00 PM

creek cottages

Approaching the Remote    

Simon Carter

 

Exhibition preview Friday 10 February 

 

Exhibition open Saturday 11 February to Saturday 8 April 2017

Monday to Saturday 10am to 5pm

 

This selection of Simon Carter’s atmospheric landscape paintings provides an opportunity to compare and contrast two groups of work that differ vastly in scale but explore similar subject matter.

Simon’s paintings are impressions of the landscapes that he walks through and absorbs – drawings made on location lead to constructions of compositions, and the colours he uses relay the feel and mood of the places` he has visited along with the journey he has taken to get there and back. Rather than a straightforward relationship of a particular landscape that simply documents its visual narrative, his paintings record the memory and feel of the entire experience of journeying to and from somewhere. The location is central to the journey, and through that becomes central to the painting, but the sensation of the location is affected by a range of factors that butt up next to it, including weather, atmospheric pressures, events and encounters that take place en-route, the amount of time that is spent there, the mood of the artist, and potentially even social, political and other factors that influence the way we respond psychologically to our physical surroundings.

Simon’s exhibition at The Minories occupies two rooms. The first contains a selection of works of approximately 20×30 centimetres, or around 30-40 centimetres in diameter. The second presents much larger works – approximately 145×160 centimetres. There are corresponding palettes that have been used for the two sizes of paintings, so each painting has one or more ‘partner’ paintings in the adjacent room. Although the paintings weren’t conceived as pairings or partners, this correspondence between colour-ways sets up a relationship that encourages direct comparisons. These comparisons are particularly interesting in relation to Simon’s work, as even though the sensation he is wanting to communicate may be similar, the approach to the making of a large painting is very different to the making of a small one. The scale of the brush strokes in relation to the images is vastly different, and the impact and affect that each mark has upon the whole image is much weightier within a smaller surface area, and a larger painting has the potential for different effects to be presented across the breadth of the canvas.

The different scales of works have been placed in different spaces rather than positioning pairings side-by-side as a way of adding a journeying element to the exhibition. This means that to compare works with similar colour-ways it is necessary to travel between them and hold the previous image in ones’ mind. By adding journey and memory to the encounters the viewer takes on some of the experiences of the artist – walking between places and recreating comparisons in the mind. The two spaces could also create different sensations for the viewer – by moving from one scale of work to another there is the potential to feel a change in ones’ self, perhaps a shifting in self-scale in relation to the works. There is also a sense of a shift between the macro and the micro – an enforced focus on an overall smaller image that could be viewed as a detail or close-up of a bigger picture, in contrast to a larger work that can either be viewed in its entirety or focused on to view details and specifics.

In an essay commissioned by Messum’s Gallery from Peter Vergo, Emeritus Professor of Art History at the University of Essex, he states that “The best way to understand Simon Carter’s paintings is to put them alongside his other paintings. Looked at in this way, they seem to converse among themselves in a manner profoundly revealing of his attitude not merely to landscape and motif but also to time, space and figuration”.

Many of the aspects that are drawn out in Approaching the Remote help to highlight Simon’s own approach to painting, and also the all-important relationship to nature that his work has; the diversities and similarities, the differences in scale (the micro and the macro) and the sensation we can have of being immersed in a place that consists of forces that connect everything around us, are not dissimilar to the experience of immersing oneself into one of Simon’s paintings.

 

About the artist

Simon Carter lives and works in north-east Essex. He exhibits regularly across the eastern region and in London and his works is represented in over 20 collections across the UK as well as the USA and China. He is currently President of the Colchester Art Society.

Mar
7
Tue
2017
Obscure – Extended Diploma in Photography Students
Mar 7 @ 11:34 AM – Mar 25 @ 5:00 PM

A selection of photography from Year 2 students on the Level 3 Extended Diploma in Photography
at Colchester Institute’s Braintree Campus

Exhibition Open 
Friday 3 March –
Saturday 25 March

Closing View :
Saturday 25 March
2-5pm

 

Support local artists, designers and makers by visiting our shop at The Minories Galleries.

Open Monday to Saturday, 10am until 5pm

 

 

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If you are interested in selling in The Minories Shop please contact Cydney Barrows

cydney.barrows@colchester.ac.uk 

Tel: 01206 712 437

74 High Street, Colchester, Essex, CO1 1UE

 

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Switchboard: 01206 712000

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Colchester School of Art,
Colchester Institute,
Sheepen Road,
Colchester,
Essex,
CO3 3LL

Switchboard: (01206) 712000 | Course enquiries: (01206) 712777 | contact